Interesting text
↘︎S04—Process-for-Normandie
The Cinematography
—00
Authorial Intent { Intentions d'Auteur }
Working with simulated gravity almost forces you to see colors and shapes in nature that you wouldn't see if it weren't for the constraints of the digital box in which all of your equations have to live harmoniously. The trick to photographing a scene (D-Day, World War II) like the ones below is as follows. Make sure that the imposition of the captured action and the framing of the photo is not so powerful that it obscures the intellectual content. In a complex world full of social and cultural upwelling, it is more important than ever not to redress on the screen⏤for artistic reasons⏤the horrific visions of our past by noise that no one could fault a disturbed simulacrum. Accuracy in the physics of the artificial matters.
Intentions d'Auteur { Authorial Intent }
Working with simulated gravity almost forces you to see colors and shapes in nature that you wouldn't see if it weren't for the constraints of the digital box in which all of your equations have to live harmoniously. The trick to photographing a scene (D-Day, World War II) like the ones below is as follows. Make sure that the imposition of the captured action and the framing of the photo is not so powerful that it obscures the intellectual content. In a complex world full of social and cultural upwelling, it is more important than ever not to redress on the screen⏤for artistic reasons⏤the horrific visions of our past by noise that no one could fault a disturbed simulacrum. Accuracy in the physics of the artificial matters.
Authorial Intent { Intentions d'Auteur }
Working with simulated gravity almost forces you to see colors and shapes in nature that you wouldn't see if it weren't for the constraints of the digital box in which all of your equations have to live harmoniously. The trick to photographing a scene (D-Day, World War II) like the ones below is as follows. Make sure that the imposition of the captured action and the framing of the photo is not so powerful that it obscures the intellectual content. In a complex world full of social and cultural upwelling, it is more important than ever not to redress on the screen⏤for artistic reasons⏤the horrific visions of our past by noise that no one could fault a disturbed simulacrum. Accuracy in the physics of the artificial matters.
Authorial Intent { Intentions d'Auteur }
Working with simulated gravity almost forces you to see colors and shapes in nature that you wouldn't see if it weren't for the constraints of the digital box in which all of your equations have to live harmoniously. The trick to photographing a scene (D-Day, World War II) like the ones below is as follows. Make sure that the imposition of the captured action and the framing of the photo is not so powerful that it obscures the intellectual content. In a complex world full of social and cultural upwelling, it is more important than ever not to redress on the screen⏤for artistic reasons⏤the horrific visions of our past by noise that no one could fault a disturbed simulacrum. Accuracy in the physics of the artificial matters.
Authorial Intent { Intentions d'Auteur }
Working with simulated gravity almost forces you to see colors and shapes in nature that you wouldn't see if it weren't for the constraints of the digital box in which all of your equations have to live harmoniously. The trick to photographing a scene (D-Day, World War II) like the ones below is as follows. Make sure that the imposition of the captured action and the framing of the photo is not so powerful that it obscures the intellectual content. In a complex world full of social and cultural upwelling, it is more important than ever not to redress on the screen⏤for artistic reasons⏤the horrific visions of our past by noise that no one could fault a disturbed simulacrum. Accuracy in the physics of the artificial matters.